{"id":4379,"date":"2026-05-02T15:26:29","date_gmt":"2026-05-02T13:26:29","guid":{"rendered":"https:\/\/www.farnesefestival.it\/?p=4379"},"modified":"2026-05-12T16:42:27","modified_gmt":"2026-05-12T14:42:27","slug":"luca-tittoto","status":"publish","type":"post","link":"https:\/\/www.farnesefestival.it\/en\/luca-tittoto\/","title":{"rendered":"LUCA TITTOTO"},"content":{"rendered":"

Luca Tittoto<\/strong> is one of the most accomplished and sought-after basses of his generation, especially appreciated in the \u201cbaroque\u201d, Mozart<\/strong> and \u201cbelcanto\u201d repertoire. In 2024, he was invited twice at La Scala<\/i>: in the part of Gessler in Rossini<\/strong>\u2019s Guillaume Tell<\/i>, conducted by Michele Mariotti<\/strong>, and then as Gelone in Cesti<\/strong>\u2019s Orontea<\/i>, conducted by Giovanni Antonini<\/strong>, production by Robert Carsen<\/strong>, achieving personal success with public and critics. He sang Achilla in H\u00e4ndel<\/strong>\u2019s Giulio Cesare<\/i> at the Glyndebourne Festival<\/i>, made his debut at the Berlin Staatsoper<\/i> in Peter Sellars<\/strong>\u2019 production of Charpentier<\/strong>\u2019s M\u00e9d\u00e9e<\/i>, conductor Sir Simon Rattle<\/strong>. He was at Teatro Massimo<\/i> in Palermo for Rossini<\/strong>\u2019s Stabat Mater<\/i>, in Modena<\/i> for Bellini<\/strong>\u2019s I puritani<\/i>, in Venezia<\/i> he sang Astolfo in Vivaldi<\/strong>\u2019s Orlando Furioso<\/i>. In the 2022-23 season, he sang the title role in H\u00e4ndel<\/strong>\u2019s Saul<\/i> at the Komische Oper<\/i> in Berlin, Procida in Vespri siciliani<\/i> in Palermo<\/i>, directed by Emma Dante<\/strong> and conducted by Omar Meir Wellber<\/strong>, Gluck<\/strong>\u2019s Alceste<\/i> in Roma Teatro dell\u2019Opera<\/i> conducted by Gianluca Capuano<\/strong>, Enrico VIII in Bastarda<\/i>, a two-evening project from Donizetti<\/strong>\u2019s Tudor operas, conducted by Francesco Lanzillotta<\/strong>, production by Olivier Fredj<\/strong>. At the Concertgebouw<\/i> in Amsterdam he sang Vivaldi<\/strong>\u2019s La Fida Ninfa<\/i> and he made his debut at Teatro Real<\/i> in Madrid in H\u00e4ndel<\/strong>\u2019s Alcina<\/i>. His recent engagements include Giove in La Calisto<\/i> at Teatro alla Scala<\/i>, conducted by Christophe Rousset<\/strong>, production by McVicar<\/strong>, Nabucco<\/i> and Lucia di Lammermoor<\/i> at Teatro Massimo<\/i> in Palermo, Carmen<\/i> and Monteverdi<\/strong>\u2019s Orfeo<\/i> at Teatro Regio<\/i> in Torino, Rodelinda<\/i> at Amsterdam Opera<\/i>, Colline in La Boh\u00e8me<\/i> at Royal Opera House Covent Garden<\/i>, I puritani<\/i> in Modena<\/i> and Reggio Emilia<\/i>, Cos\u00ec fan tutte<\/i> at Oslo Opera<\/i>. He sang in Norma<\/i> (Oroveso) in Palermo<\/i> and Venezia<\/i>, Mustaf\u00e0 in Italiana in Algeri<\/i> in Palermo<\/i>, Cos\u00ec fan tutte<\/i> and La Calisto<\/i> in M\u00fcnich<\/i>, the modern premi\u00e8re of Enrico di Borgogna<\/i> and La creazione del mondo<\/i> at the Donizetti Festival<\/i> in Bergamo. He sang La Calisto<\/i> and Alcina<\/i> in Madrid<\/i>, and Mozart<\/strong>\u2019s Requiem<\/i> directed by Romeo Castellucci<\/strong> at the Aix-en-Provence Festival<\/i> revived at La Monnaie<\/i> in Bruxelles and Valencia<\/i>, Cavalli<\/strong>\u2019s Ercole Amante<\/i> at Op\u00e9ra Comique<\/i> in Paris, recorded on DVD for Naxos, Guillaume Tell<\/i> in M\u00fcnich<\/i>. In Parma<\/i> he sang H\u00e4ndel<\/strong>\u2019s Messiah<\/i> with Enrico Onofri<\/strong>, Il Barbiere di Siviglia<\/i> (Basilio) and Ferrando in Il Trovatore<\/i> at Teatro Comunale<\/i> in Bologna. In M\u00fcnich<\/i> he sang the part of Jupiter in Cavalli<\/strong>\u2019s La Calisto<\/i> several times, conducted by Ivor Bolton<\/strong>, in concert way he took part in the premi\u00e8re of Caldara<\/strong>\u2019s La Concordia dei Pianeti<\/i> at the Konzertsaal<\/i> in Dortmund and then in Wien<\/i>, with La Cetra<\/i> conducted by Andrea Marcon<\/strong>, recorded on CD for Deutsche Grammophon. He sang Gessler in Rossini<\/strong>\u2019s Guillaume Tell<\/i> at the Rossini Opera Festival<\/i> in Pesaro and in Bologna<\/i> (original version) production by Graham Vick<\/strong> and again in Torino<\/i> and at the Edinburgh Festival<\/i> conducted by Gianandrea Noseda<\/strong>. At Aix-en-Provence<\/i> he was a very appreciated King of Scotland in Richard Jones<\/strong>\u2019 production of H\u00e4ndel<\/strong>\u2019s Ariodante<\/i> conducted by Andrea Marcon<\/strong>, revived in January 2016 in Amsterdam<\/i>. He sang Bach<\/strong>\u2019s Mass in B Minor<\/i> at the Konzerthaus<\/i> in Berlin, Cr\u00e9on in Charpentier<\/strong>\u2019s M\u00e9d\u00e9e<\/i> in Basel<\/i>, Mozart<\/strong>\u2019s Requiem<\/i> at the Accademia di Santa Cecilia<\/i> in Roma, Don Alfonso in Cos\u00ec fan tutte<\/i> at La Fenice<\/i> in Venezia and at the Bayerische Staatsoper<\/i>, Alidoro in Rossini<\/strong>\u2019s Cenerentola<\/i> at Teatro di San Carlo<\/i> in Napoli and at Teatro Comunale<\/i> in Bologna. Luca Tittoto<\/strong> sang at the Salzburg Festival<\/i> and Mozart Weeks<\/i> with Les Musiciens du Louvre<\/i> and Marc Minkowski<\/strong>. He sang Beethoven<\/strong>\u2019s Symphony no. 9<\/i>, conducted by Myung Whun Chung<\/strong>, and by Lorin Maazel<\/strong> at La Fenice<\/i> in Venezia. At Maggio Musicale Fiorentino<\/i> he sang J. S. Bach<\/strong>\u2019s Matth\u00e4us-Passion<\/i>, conducted by Fabio Biondi<\/strong>, Alcina<\/i> in Paris<\/i> (Th\u00e9\u00e2tre des Champs Elys\u00e9es<\/i>) and in London<\/i> (Barbican<\/i>), conductor Marc Minkowski<\/strong>. At the Concertgebouw<\/i> in Amsterdam, he sang Vivaldi<\/strong>\u2019s Senna Festeggiante<\/i>, with the Orchestra Barocca di Venezia<\/i> and Andrea Marcon<\/strong>. His repertoire includes all the major parts in oratorio and sacred music from Bach<\/strong> to Verdi<\/strong>. Luca Tittoto<\/strong> has recorded for DG, ERATO, NAIVE, HARMONIA MUNDI, NAXOS.<\/p>\n<\/div>

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